↨≈↨ Assassins_Creed_III_Nokia_E71 ↨≈↨

☼≈☼ Assassins_Creed_III_ ☼≈☼

Assassin’s Creed’s greatest allure has always been melding real history with a conspiracy-laden fiction, and colonial America is rife with moments, personalities, and events worth exploring. Colonial-era Boston and New York are the liveliest and most authentic open cities I’ve encountered in a game, from the squealing pigs to the newsboys hawking papers. The wilderness that separates the two is vast, and filled with plenty to do. Many missions are set in the frontier, and in between those missions you can hunt animals, bring down enemy forts, climb cliffs and trees, and explore hidden caves, just to name a few of many diversions. As an open wilderness zone, the frontier shines, though long runs to mission objectives can get tedious. Everywhere you go exhibits dynamic weather effects, and the world feels more varied and alive as you witness its passage from summer to winter and back again.
Along with providing a greater sense of place than its predecessors, Assassin’s Creed III is more deeply rooted in historical time as well. If new hero Connor isn’t involved in every memorable moment of the American Revolution, it’s only because he can only be in one place at a time. Flinging boxes of tea into the Boston Harbor and running between cannon blasts at Bunker Hill, the game feels more cinematic and scripted than it has before. Many times, this approach results in thrilling intensity, but some missions subtract from player agency by leading players along with a string of breadcrumb objectives. Other sequences recall the freeform assassination sequences of the first game in the series.

By [You must be registered and logged in to see this link.]

tnx nice

nice

nice